…And Turn Yourself Around…
It was all Wally’s fault, not mine. That’s how I reconciled my role in one of my life’s most comical moments on a big stage.
The year was 1980, and I had decided to step out of my shell and be a part of an organization at college. At the urging of my friend, Boyd, I applied for a position in the sousaphone section of The Marching Virginians, Virginia Tech’s civilian marching band. Even though I hadn’t played a horn in almost three years, the MV’s accepted me, and I became a member of a most unique clique.
The sousaphone section in the band was a section with a unique perspective on just about everything. Our self-prescribed mission was to do just about everything possible to not practice and work. I joined a veteran group with a resume that proved their expertise.
Since I was entering my junior year, I avoided much of the hazing that all Freshman received. I was accepted as an upperclassman, for which I was very grateful. Many of us went by nicknames. Paul “Mush Mouth” was the favorite target of the upperclassmen. Poor Paul, a large kid with a goofy grin and nerdy sense of humor, was a plodding target all of the time. He endured shaving cream bombs, forced servitude, and unpleasant mutings.
“Orca” (a.k.a. Bob White) was our unquestioned senior leader, but he was surrounded by an inner circle of upperclassmen. “Smitty,” “Big Jim,” “Wally,” Robert, and “The Other Robert” made up the core group. All of them were unique, but Big Jim took pride in being the old man of the group. He was a member of the first Marching Virginian band back in the early 1970’s, and he still found himself in the band eight years later. As we moved through band camp and into the football season, I found myself quickly accepted.
1980 was the year that one of the most recognized traditions at VT was started, the sousaphone “Hokie Pokie.” As I recall, the idea for the dance was hatched back in 1979, but it wasn’t unveiled until the 1980 football season. So I found myself doing the Hokie Pokie with my fellow sousaphone mates that fall, starting a tradition that carries through to this day.
It was all Wally’s fault, not mine.
Orca was the main choreographer and his idea was simply to have the sousaphone section run to the front of the band and dance to the Hokie Pokie while playing the song. Right foot in and all of that. Lots of shaking and turning around with tubas strapped to our backs. In the middle of the song, the tubas took the melody while the whole band danced behind them. For the grand finale, the tubas would compress their spread formation and come together for a climatic chorus line kick before going down to a knee as the crowd cheered wildly. Oh my, it was such a dynamic dance.
Over the course of the season, we perfected the dance and people began to expect us to perform it. That year, for the first time in many a moon, Virginia Tech’s football team was invited to a bowl game. So in late December 1980, we boarded five rickety buses and headed for
It was all Wally’s fault, not mine.
I’d never been to
My memory suggests that the football game was played the afternoon of December 31, 1980. I could be wrong, however. VT was pitted against rising football power
For the band, the big moment was the halftime show. While most broadcasts of bowl games played on national TV pretty much ignored the halftime bands, CBS always made the attempt to show at least one song from each team’s band. I knew that my parents and my whole family would be watching back home in
The show seemed to be going well when we made it to the Hokie Pokie. Apparently, CBS knew that this was going to be a special song, because that’s the Marching Virginian song they chose to show the entire nation that afternoon. My pop was back home winding up the camera and placing it to his eye as the tuba section ran forward and spread ourselves out on a 2.5 yard stagger along the sideline from the twenty-five yard line to the other twenty-five yard line. My spot was firmly set at the 30 yard line. That’s where I’d do my dance with my pieced together tuba.
My poor tuba was a piece of white plastic junk. I used rolls of white athletic tape to keep the bell attached to the main body of the horn. To keep my mouthpiece attached, I used a liberal amount of black electrical tape. That sorry old fiberglass tuba was definitely on its last leg.
Next to me on the 27.5 yard line was The Other Robert. On the other side of me was Wally. It was all Wally’s fault, not mine. Wally was a quiet senior with a quirky sense of humor. He used to keep me in stitches all the time. In fact, it was Wally who always seemed to come up with fresh Mush Mouth tortures. Wally was a short, stocky guy with a full beard. He looked every bit the forestry major.
As the dance began, the TV cameramen wandered among the tuba line threatening to beam our mugs all across the nation. Finally, after putting our whole bell in and our whole bell out and then playing our solo, it was time for the grand finale chorus line kick. In just a matter of seconds, we were required to sprint to the 50 yard line area to join together in a tightly formatted line on either side of it. All year long, I knew that my final spot would be somewhere around the 46.5 or 47 yard line, and I had already focused in on my spot as we all turned for the mad dash. That dash really had to be quick. Luckily the tubas were light, but we weren’t all the greatest athletes.
It was all Wally’s fault, not mine. Wally turned and bolted full speed. I turned and followed him at top speed. The Other Robert was hot on my tail. We were zooming down the Fulton County Stadium sideline in our national moment of glory when Wally did it. He stopped…five yards too soon! Not expecting his cold stop, I had no time to react and I plowed right in to Wally. The Other Robert, also taken by surprise, slammed in to me. All three of us staggered and bumped into each other again as were reverberated like sound waves across the field. My tuba basically disintegrated. The mouthpiece was shoved into my teeth splitting my lip. Blood began gushing and I was in intense pain. The black tape gave way and the mouthpiece hung limp. My bell was spun around. Trying to salvage some sense of order, we broke free from our impromptu Three Stooges act quickly and joined in the chorus line kick, already in progress. Despite the pain, blood, and instrument malfunction, I managed to continue and finish the show under my own power.
Then it was over. It really was all Wally’s fault, not mine. When I got home I got a chance to see the movie footage that my father took by pointing his windup camera at the television set. CBS had cut to the band just as we were sprinting to the 50. With the score of the game overlaying the action on the field, you can just make out our Stooge act. All over
1980
Jim Kelly passed for 179 yards and the stingy
| 7 | 7 | 3 | 3 | 20 |
0 | 3 | 7 | 0 | 10 |
Scoring: UM-Larry Brodsky 15 pass from Jim Kelly (Dan Miller kick). UM-Chris Hobbs 12 run (Miller kick). VT-Dennis Laury 42 FG. VT-Cyrus Lawrence 1 run (Laury kick). UM-Miller 31 FG.
Attendance: 45,384.
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